Quiet Portrait

A2. Ink.

Profile Portrait

A2. Ink.

Cute and Seated

A2. Ink.

With a Balancing Poll

A2. Ink.

Leaning Back

A2. Ink.

Collapsed

Come along to an exhibition of prints and drawings in association with The Prince’s Drawing School. I will have 3 works up for sale. 21 – 29 November 2008.
Drawn Together


A1. Charcoal.

Lost & Naked

A2. Ink.

Twisted Pelvis

A2. Ink.

Cosy Seat

A2. Ink.

Casual Stride

A2. Pen, Water.

Female Breasts and Abdomine

A2. Pen, Water.

Siena Lines

A3. Pen, Watercolour.
Italy.

San Gimignano

A3. Pen.
Italy.

Backyard Path

A4. Pen, Water.
Barberino Val d'Elsa, Florence, Italy.

An Outdoor Lamp

A5. Pen, Water.
Barberino Val d'Elsa, Florence, Italy

A female bust with raised arms.

A2. Charcoal.

A Seat Woman's Back

A2. Watercolour.

Resting in a Chair

A2. Watercolour.

Battersea Park

A3. Watercolour.

Farewell Exhibition

Wednesday 24th September, 2008. 8pm.
3A Club Row, E16JX, London.
A3, Charcoal.

2 Girls Posing

A2. Pen, Charcoal.

2 Hands, 3 Legs & 4 Feet

A2. Pen, Charcoal.

Leaning Forwards

A2. Pen, Charcoal.

A Solid Stance

A2. Pen, Charcoal.

A Man on Blocks

A1. Pen, Charcoal.

Fellow Student

A1. Pen, Charcoal.

Torso Profile

A2. Pen, Charcoal.

Christ Church Spitalfields

A4. Pencil.
Drawn back in 2007...

Christ Church Spitalfields Tower

A3. Pen, Acrylic Pen.

London Bridge - South Tower

A3. Pen.

London Bridge

A3. Pen.

Kneeling

A2, Crayon.

Resting Back

A1. Crayon.

Pacing

A1. Crayon.

Exhausted Rhomboids

Graphite. A4.

It is astonishing how violin practice works the right set of rhomboids!

I have no idea how I ended up learning differential calculus before anatomy.

Crossed Legs

A1. Crayon.

Broad Shoulders

A1. Charcoal, Pen.

The Study of a Back

A2. Crayon.

Clenching

A2. Crayon.

The National Gallery

A3. Brush Pen.

Big Ben

A3. Brush Pen.

Trafalgar Square

A3. Brush Pen.

St. Martin In The Fields

A3. Brush Pen.

The Study of a Knee

Pen, Charcoal, ... A2.

A Seated Woman's Back

Pen, Charcoal. A2.

A Mans Profile

Pen. A2.

I PLAY MY VIOLIN

A6. Pen & Water.

I've been practicing my violin for the past 25 years and only now have I realised the following...

I PLAY MY VIOLIN. It's not my technique, nor my brothers, parents, teachers or friends. It is me. It is my sound. I may not be a master, but I can choose what I do with it.

It seems there is a certain comfort in noticing that the work of art is not just the composition, or the wooden violin, nor the sound that is produced, but also the human form and the way it goes about such a thing. It is fascinating, complex, and yet easy and unbelievably common.

A Seated Woman's Profile

Pen. A3.

Learning a technique or a theory helps. But to go beyond the 'common' it may be required to unlearn in order to find the unknown.

Our Easel

A3. Pen, Watercolour.

In the Sunshine

A3. Watercolour, Pen.
Bristol, UK.

I didn't realise how much fun 'team painting' could be!!!