A5. Pen.
Anatomy bridges the gap between art and science.
Monday, 12 May 2008
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A preliminary exploration of light, colour, texture,
and the human form.
By Kahne Rajaratnam.
Comments
I have created this gallery to log my progress over the next 50 years. I hope to be adding to it weekly...
If you would like me to draw your portrait, please write to kahne.art@gmail.com
If you would like me to draw your portrait, please write to kahne.art@gmail.com
Artwork
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2008
(101)
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May
(19)
- A Seated Woman's Profile
- Our Easel
- In the Sunshine
- Suzanne with a Paintbrush
- Michelle's Place
- Still
- Culmination
- Drawing. Violin. Yoga
- Terminal Technology
- Carrying a Boy
- Wrists
- A twisted Back
- Sideways Hipster
- A study of Sand and Water
- Scotland Island
- Inspired by Jean Luc
- Inspired by Robin
- Opposition
- The Carpal Tunnel
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May
(19)
Fast n' Loose
- Anders Zorn
- AOCArt
- Art with Soul
- Candid Arts Trust
- deviantArt
- Drawing Day
- Fast n' Loose
- First Thursday
- Galleries Online
- Gallery 138
- I Like Pencils
- John Stewart's Blog
- Julian Ashton Art School
- Learn to Draw
- Matthew James Taylor
- Michelangelo Buonarroti
- Peter Dobbin
- Princes Drawing School
- Saatchi Gallery
- The British Museum: Prints and Drawings
- The Campaign fo Drawing
- Worqx
1 comment:
Memorising ratios and metrically comparing the different bones, muscles, arteries, ligaments, joints and internal organs in the body is destructive.
The ONLY place to start from is to learn the purpose and importance of each element within the body and how it directly depends or relates to other elements within the body.
Anatomical research for an artist should create less rules rather than more.
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